Another in-progress composite.
The mountain-scape in the foreground is a beautiful pic my Dad took in Utah (it’s a bit difficult to see in this frame, but you’ll see it in its full glory in the movie).
I don’t expect to be blogging much, but I figured I could use this space to give out some updates on the process of my current personal project “Loops”.
This is a little chart I made that matches my storyboard frames to the frames that were shot for the first in the series “Mold”. Making it was a fun little exercise to check the calibration of my previsualization to visualization.